The cinema of Taiwanese director Tsai Ming-liang delves into themes of family, loneliness, alienation, and LGBTQ issues within the context of urban Taiwanese society. Tsai’s films show the complexities and contradictions of modern family life, reflecting the social and cultural changes that have taken place in Taiwan in recent decades. Through his minimalist and contemplative style, Tsai portrays the disintegration of traditional family structures, alongside the emotional isolation and existential crises experienced by individuals in modern urban environments. His films, such as “Rebels of the Neon God” (1992), “Vive L’Amour” (1994), “The River” (1997), and “Days” (2020), serve as important reflections on family dysfunction, societal pressures, and the search for identity. In this lecture, I will analyze how Tsai’s films challenge traditional gender roles, explore the complexities of queer identity, and the social and cultural factors contributing to the isolation and alienation of individuals. By examining these films, I will disuss Tsai’s commentary on the evolving dynamics of family life and the LGBTQ community’s struggles for acceptance in contemporary Taiwan